"sorry, i ain't buying it. after the scenes have been filmed, everything goes to an audio engineer who mixes in the music and all the foley effects that didn't get picked up by the mics, as well as overdubbing whatever spoken parts got obscured by background noise, etc. now, i'd be willing to bet the guy who engineered the sound on this knew what "real" sounds like, but either he, or more likely someone higher up the chain, wanted to make stuff louder, or compensate for the compression necessary to record something that loud. as a result they probably drenched it with tons of digital reverb. if they were micing remote enough (like down the street) and getting that much bounce off of the buildings, then that's not real either. because our ears aren't usually in more than one place at the same time.
the logistics of recording a scene like that, with many different noises at all different locations, volumes and distances from what the viewer sees would really be a nightmare. but the amount of echo, reverb, or "bounce" would vary depending on those variables.
so that's what i'm talking about. sorry."
Alright, that's fine. It is your opinion, but I would very much disagree. Before I let this go I would suggest that you watch the whole movie and if you can, rent the two disc version as they interview the sound mixer and director on that scene as to why they had the sound that way.
the logistics of recording a scene like that, with many different noises at all different locations, volumes and distances from what the viewer sees would really be a nightmare. but the amount of echo, reverb, or "bounce" would vary depending on those variables.
so that's what i'm talking about. sorry."
Alright, that's fine. It is your opinion, but I would very much disagree. Before I let this go I would suggest that you watch the whole movie and if you can, rent the two disc version as they interview the sound mixer and director on that scene as to why they had the sound that way.